Instructions
You own sections of the book, and you build the pages that get printed.
Design: this is your jobThe Design BibleYou build it and you build from it. The modes, the type, the color, and what a proofer checks. It’s on the Design test.Read it →Every checkpoint
- Week 1Plan your spreads: layout, photo list, writing angle. (Build a Spread.)
- Per checkpoint2 passes. Everyone else owes 1. CP1 is extra long, so Design owes 3 and everyone else owes 2. A pass is a V1 or a V2.
- Per checkpointProof someone else’s pages. (Proof a Spread.)
- WeeklyUpdate the page board honestly. A stuck page goes on the board as stuck.
- OngoingKeep the templates and the style rules up to date.
- Chairs, week 1Sign off on your department’s plans.
Every spread, in order
- Open the Design Bible. Pick the mode for this spread. One mode per spread.
- Set up the file. 17.25 × 11.25, 300 dpi, CMYK, guides locked on top.
- Draft, two signatures, V1, proof, V2. The Loop.
- Names: roster, then what the student goes by. Check both.
- Check your work: hold your spread next to the seven parts and the Design Bible. Anything missing is your to-do list.
- Turn it in. Thread, Drive, Walsworth.
What it should look like
A finished Design week is a page board that tells the truth.
- Every spread in your section is on the board at a stage: planned, signed, V1 up, V2 done.
- Every V1 has a proofer’s name and a due date next to it.
- Your own two passes are moving, and the one you handed off at V1 has someone else’s name on it now.
- Every page follows the Design Bible: one mode per spread, the right faces, no dots under body copy.
Visual guide
The board, the Design Bible, the specs. Three things you check against, in that order.
Where every page is. Updated weekly, honestly. Your chair reads it daily.
How the book looks. Modes, type, color, what a proofer checks. style.html
What the printer needs. 300 dpi, CMYK, bleed, gutter. Page Specs
What a spread needs. Main photo, captions, folio, and the rest. The picture
A spread is one thing. The reader never sees a seam.
Two modes on one spread goes back. It’s the first thing a proofer looks for.
Lesson
What you own
Sections of the book, and the spreads in them. Use Photoshop, Lightroom, Walsworth, Canva, or whatever gets it done right and to spec. Every designer also checks someone else’s pages before each checkpoint. Chairs sign off on their department’s plans and keep the templates and style rules current.
Relays
You can hand off a spread at V1 and start your next plan. Someone else takes it to V2. You both get a pass. Never hand off a DRAFT: nobody can build from a plan they didn’t make. Your chair makes the match, not you.
The Studio’s 17 spreads
Graphic Design builds 17 spreads for the book. They land as V1s at CP5 (Feb 25). From there, finishing them is Design’s job: all 17 to V2 by CP6 (Mar 18). Plan for it. February is not a light month.
Why your chair asks every day
In this department, problems stay quiet. A page gets stuck, nobody says anything, and it shows up at the checkpoint. What page are you on, and what’s slowing it down? Answer it honestly and the chair can fix it on a Tuesday. On Thursday there’s nothing to fix with.
- Built from the Design Bible: one mode, the right faces
- Names checked twice
- Proofed by someone else
- On the board at its real stage
- “I’ll fix the captions later”
- Built in RGB because Canva was faster
- A page that’s been “almost done” for two weeks
What page are you on, and what’s slowing it down?
Example
A Design daily report that told the truth.
Priya S · Tue Oct 20 · #design On 26-27 girls golf. V1 due Thu. Slowing me down: no team photo, the one in Drive is from last year. Asked Outreach for a reshoot Thursday at practice. If it doesn’t happen I’ll run the action shot big instead. [screenshot: the spread at 70%, caption boxes empty, main photo placed]
Which page. Where it is. What’s actually slowing it down, named. A fix already in motion, and a backup plan if the fix doesn’t happen. Screenshot attached. The chair read this in 15 seconds and didn’t have to ask anything.
How to turn it in
Design work is turned in three ways: spreads in #yb-proofs (the Hand-In), the page board updated every week, and your daily report in #design with a screenshot.
- Daily: 30 seconds in #design, page you’re on, what’s slowing it down, screenshot.
- Weekly: the page board, honest.
- Per checkpoint: 2 passes posted in #yb-proofs. 3 for CP1.
- Per checkpoint: one proof, as a reply in someone else’s thread.
Rubric
Role is 20% of your grade, graded monthly: did your tasks happen (cadence), and were they good (craft)? Chairs get a third check: how their department did.
| Check | 1 looks like | 5 looks like |
|---|---|---|
| On timepasses at the checkpoint, proof the next class | One V2 on Friday. The proof you owed came in the morning of the checkpoint. | Two passes in before the Thursday bell. Your proof posted the next class. |
| Correctnames, specs, the Design Bible | A misspelled senior. Two modes on one spread. RGB. Text in the gutter. | Names checked twice. One mode. CMYK. Nothing in the spine. The proofer found nothing. |
| Completeseven parts, the board, the report | Spread missing captions and a folio. Board says “done” on a page that isn’t. Three daily reports in two weeks. | All seven parts. Board matches reality. A report with a screenshot every class day. |
5 is ready to print. 4 needs one round of fixes. 3 does what was asked. 2 is a real try. 1 is barely started. 0 is missing.